Herald AV Publications

HAVPCD353 – A Spotless Rose

The King’s School has its roots in the sixth century and its pupils live and work within the inspirational and ancient Precincts of Canterbury Cathedral and the grounds of St Augustine’s Abbey. Music has played a central role in the school’s life from its monastic foundations. The Crypt Choir, under the direction of Howard Ionascu, is the school’s senior choir. Its primary purpose is to provide music for weekly School services in Canterbury Cathedral, where the King’s School is part of the Foundation.

The choir also performs at outside venues, most recently St Paul’s, Knightsbridge, The Temple Church, St John’s, Smith Square and Westminster Abbey. It has toured extensively, including a number of European countries, New York, Boston, New Zealand, Australia and Hong Kong. The Choir reached the final stage of the 2005 BBC Choir of the Year at the Lowry Centre in Salford. In July of that year the Choir was invited to perform Tallis’ Spem in alium alongside The Sixteen and Harry Christophers in Canterbury Cathedral. The Choir has been particularly active in performing contemporary music.

It has performed in the Sounds New Festivals, featuring works by James Macmillan, Paul Patterson and Gabriel Jackson. In December 2005 it gave the first performance of a commission by Howard Goodall, Of the dark past, in Canterbury Cathedral.

HAVPCD350 – Carols from Chichester Cathedral

“Gramophone Critics Christmas Choice 2009” to be announced in the December issue.

“BBC Music Magazine Christmas Choice 2009” announced in the December issue.

Christmas is a special time for Chichester Cathedral Choir. In addition to a run of concerts at the Festival Theatre and services for radio and local organizations, the Choir sings the traditional services on Christmas Eve and Day, and three Cathedral services of lessons and carols.

The selection of music for Carols from Chichester Cathedral is intended to capture the spirit of these services, which are popular with the young and old alike. Some of the usual congregational carols, with the familiar David Willcocks descants, sit alongside other Christmas favourites such as In the bleak mid-winter and Tomorrow shall be my dancing day. Mark Wardell’s Rocking was specially written for the Choristers for this CD, and like David Hill’s Away in a manger demonstrates the power of a good tune in the hands of a skilful arranger.

“The English Cathedral tradition at its very finest”
– Five Stars for Recording & Performance.
- BBC Music Magazine, December 2009

The Lay Vicars sing one to a part in Brian Kay’s version of Gaudete, and at the other end of the spectrum is the atmospheric full choir work Lux aurumque by the contemporary American composer, Eric Whitacre. The Sussex Carol is particularly appropriate for Chichester Cathedral Choir: the melody is reputed to have been collected by Ralph Vaughan Williams and Cecil Sharp in the West Sussex village of Monk’s Gate. The Cathedral Choir is accompanied on the Hill organ by Mark Wardell, who also plays three contrasting settings for solo organ of In dulci jubilo and J.S. Bach’s Chorale Prelude Vom Himmel hoch, da komm ich her – ‘From heaven above, to earth I come’.

HAVPCD346 – AVE VIRGO SANCTISSIMA
A Garland for Our Lady

The most familiar texts recorded here – the Ave Maria, Ave Regina caelorum, Regina caeli, Salve Regina and Mary’s own canticle, the Magnificat – have for centuries played a central part in traditional Catholic devotional life. Through them countless faithful have embraced Mary, not just as the mother of their Redeemer, but also as their own mother, and through her have sought to draw closer to her Son.

Many of the other texts here are entirely different in mood. They seek to express feelings not so much of filial devotion but of ecstatic rapture addressed to that most extraordinary product of God’s creation – the human mother of God-made-Man – by drawing on poetic images of creation, terrestrial and extraterrestrial: of birds, trees, rivers, flowers and perfume, of the heavens, light, stars, sun and moon.

The highly imaginative, sensual language of these texts, many of them embedded in the liturgy, is mainly drawn directly, or adapted, from the highly-charged Song of Songs and similar Old Testament sources. Offering wonderful possibilities for rich colour and passionate expression, they were understandably popular with composers from the medieval period onwards, and most especially in the 16th and 17th centuries.

The Choir of the London Oratory is England’s senior professional Catholic choir, serving the liturgical celebrations of the Roman Rite for which the London Oratory has been famous ever since it moved to its present Brompton Road site in 1854. Previous distinguished directors have included Henry Washington, John Hoban and Andrew Carwood.

Singing at Solemn Mass and Vespers on all the Sundays and great feasts of the year, as well as on many other important occasions, chief amongst them the solemn liturgies of Holy Week and Easter, the Choir is noted for its communicative power and stylish deployment of a wide range of vocal colour in a huge working repertoire, including more than 100 settings of the Mass and 500 motets. Broadcasts and CD recordings, especially in recent years for Aid to the Church in Need on the Herald label, have led it to be acclaimed as ‘among the finest mixed voice choirs in the country’ (Choir and Organ) and ‘a Rolls-Royce of its type’ (Church Music Quarterly).