Catalogue

April 9th, 2010

HAVPCD234 – Duruflé Requiem


You can order any material from the Herald catalogue by sending an email to Record Corner. Record Corner are one of our best distributors, carrying considerable stock and with close ties to Herald AV Publications.


HAVPCD234 - Duruflé Requiem Music for St-Étienne-du-Mont
Disk Title Duruflé Requiem
Music for St-Étienne-du-Mont
Soloists Vincent Warnier (Organ)
Thierry Escaich (Organ)
Choir Cambridge Voices
Conductor Ian de Massini
Location St-Étienne-du-Mont, Paris
Date Recorded March 1999
Audio Tracks 13

Maurice Duruflé was born in Louviers, Normandy, but spent most of his life in Paris. He became a student at the Paris Conservatoire, where he won five First Prizes, and where he later became Professor for 26 years. He was assistant organist at Ste-Clotilde and at Notre-Dame Cathedral, becoming organist at St-Étienne-du-Mont from 1930 – a post he held until his death. In his Requiem, Duruflé truly reveals himself as the spiritual heir to Tournemire, finding inspiration in the treasure-house of Gregorian melodies: transporting them with embellishments and counterpoint, yet still retaining their essentially non-rhythmic, fluid, and improvisatory qualities. Madame Duruflé once said that this work is her husband’s finest and most personal expression of his faith in the Resurrection.

Trk. Duration Track Title Composer
1 03:41 Requiem Op.9
1. Introït
Maurice Duruflé
2 03:42 2. Kyrie
3 09:01 3. Domine Jesu Christe
Gerald Finlay (Baritone)
4 03:16 4. Sanctus
5 03:34 5. Pie Jesu
Catherine Wyn-Rogers (Mezzo-soprano)
Alexander Kionke (Violoncello)
6 04:00 6. Agnus Dei
7 04:03 7. Lux æterna
8 05:46 8. Libera me
Gerald Finlay (Baritone)
9 03:12 9. In Paradisum
10 01:25 Notre Pàre Maurice Duruflé
11 15:22 Déploration sur le nom de Duruflé Ian de Massini
12 01:15 Puisses-tu, ô Seigneur Ian de Massini
13 11:29 La vie éternelle Ian de Massini

Cambridge Voices came into being in 1990 to fulfil the promise made by their director ‘to bring a choir to sing Mass at St-Étienne’. One thing has certainly led to another: their meeting in 1991 with the Swiss composer, Carl Rütti, resulted in a dramatic growth of repertoire and engagements, including many overseas tours to Austria, Switzerland and former East Germany as well as to Rome and many parts of France. From the beginning, their concerts under the inimitable direction of their founder, Ian de Massini, have been distinguished by a lively and original approach to presentation, often inspired by the architectural features of the building around them or by the expressive requirements of the music. They aim to create in their audiences a feeling of entertainment and involvement in the music and, so doing, make of each performance a memorable occasion.

Comments are closed.