Catalogue
HAVPCD267 – Virgo Gloriosa
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| Disk Title | Virgo Gloriosa |
| A stroll through baroque Europe Promenade à travers l’Europe baroque | |
| Soloists | Cyrille Dubois (Treble) |
| Alain Buet (Baritone) | |
| Choir | La Maîtrise de Caen |
| Conductor | Robert Weddle |
| Location | Notre Dame de la Gloriette, Caen |
| Date Recorded | June 1999 & July 2000 |
| Audio Tracks | 20 |
This musical promenade through 17th- and 18th-century Europe aims simply to present a selection of popular and lesser-known pieces of an intimate character, with small ensembles of period instruments and a choir of men and boys, very much in the tradition of those to be found in Leipzig under Bach, in London under Purcell, or in Paris under Charpentier.
| Trk. | Duration | Track Title | Composer |
| 1 | 04:24 | Alma redemptoris mater | Marc-Antoine Charpentier |
| 2 | 04:29 | Cæli rores | Daniel Danielis |
| 3 | 04:05 | Ave regina cœlorum | Marc-Antoine Charpentier |
| 4 | 03:02 | O quam tu pulchra es | Alessandro Grandi |
| 5 | 04:53 | Factus est proelium | Maurizio Cazzati |
| 6 | 03:57 | Pulchra es (Vespers, 1610) | Claudio Monteverdi |
| 7 | 02:54 | In dulci jubilo | J. S. Bach |
| 8 | 06:58 | Schlummert ein (Anna Magdalenabüchlein) | J. S. Bach |
| 9 | 02:35 | Jesus bleibet meine Freude (Cantata 147) | J. S. Bach |
| 10 | 02:35 | Bist du bei mir (Anna Magdalenabüchlein) | G. H. Stölzel |
| 11 | 01:57 | O Jesulein süss | J. S. Bach |
| 12 | 04:53 | Schafe kö:nnen sicher weiden (Cantata 208) | J. S. Bach |
| 13 | 02:15 | Ertödt uns (Cantata 22) | J. S. Bach |
| 14 | 01:07 | A Voluntary on a Flight of Angels | G. F. Handel |
| 15 | 03:01 | Bid the virtues (Come, ye Sons of Art) | Henry Purcell |
| 16 | 02:18 | Thou knowest, Lord (Funeral Music for Queen Mary) | Henry Purcell |
| 17 | 03:52 | Domine Deus (Gloria) | Antonio Vivaldi |
| 18 | 03:48 | Regina cœli | Marc-Antoine Charpentier |
| 19 | 05:04 | Adoro te | Daniel Danielis |
| 20 | 05:15 | Salve regina | Marc-Antoine Charpentier |
In 1789 Caen boasted two maîtrises (choir schools), but the Revolution abruptly brought about their closure. Almost exactly 200 years later, the new Maîtrise de Caen presented its first concert. A collaboration between the city of Caen and the Ministries of Culture and Education permitted the creation within the Regional Conservatoire, one of the largest in France, of specialized classes in a primary and secondary school in the city centre – the Classes Maîtrise et Danse. During the ten years of its existence, the Maîtrise de Caen has assumed an important place in the cultural life of the town, and has started to acquire a reputation nationally and internationally.

