Catalogue

April 9th, 2010

HAVPCD312 – Guillaume de Machault : Messe de Nostre Dame


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HAVPCD312 - Guillaume de Machault : Messe de Nostre Dame High Mass in Reims Cathedral
Disk Title Guillaume de Machault : Messe de Nostre Dame
High Mass in Reims Cathedral
Soloists Fr Guy Nicholls, Cong. Orat. (celebrant)
Choir Schola Gregoriana of Cambridge
Conductor Mary Berry
Location Reims Cathedral
Date Recorded April 2004
Audio Tracks 19

This is a recording of a solemn celebration of a High Mass, made in the Cathedral of Reims, which is dedicated to the Blessed Virgin Mary. The pieces of the Ordinary (Kyrie, Gloria, Credo, Sanctus, Agnus, and Ite missa est) are those composed by Machault, his Messe de Nostre Dame. The pieces of the Proper (Introit, Gradual, Alleluia, Prose, Offertory, and Communion) are those for the Feast of the Assumption.

Trk. Duration Track Title Composer
1 06:02 Introit: Gaudeamus omnes in Domino
2 06:01 Kyrie (Messe de Nostre Dame) Guillaume de Machault
3 04:21 Gloria (Messe de Nostre Dame) Guillaume de Machault
4 01:21 Collect: Veneranda nobis, Domine
5 03:29 Epistle: Lectio libri Sapientiæ
6 12:41 Gradual and Alleluia: Audi filia
7 05:04 Prose: Area virga
8 02:16 Gospel: In illo tempore
9 06:31 Creed: Credo in unum Deum
10 03:09 Offertory: Ave Maria, gratia plena
11 03:44 Motet 23: Felix virgo/Inviolata genitrix Guillaume de Machault
12 04:14 Orate fratres: Secret and Preface
13 04:06 Sanctus and Benedictus (Messe de Nostre Dame) Guillaume de Machault
14 02:10 Canon: Hanc igitur – Consecration
15 03:01 Pater noster
16 03:04 Agnus Dei (Messe de Nostre Dame) Guillaume de Machault
17 01:30 Communion: Dilexisti iusticiam
18 01:24 Postcommunion: Mense celestis
19 01:04 Ite missa est (Messe de Nostre Dame) and Deo gracias Guillaume de Machault

A votive Mass honouring Mary, the Saturday Lady Mass, was to become a regular and a popular feature of medieval and later liturgy, both in Reims and elsewhere, … and since the Feast of the Assumption (15th August) happened to fall on a Saturday in the year of Machault’s death, it presented itself as a particularly suitable choice. The altar of the Rouelle having long disappeared, the altar in the east end of the building was chosen for the celebration, where the full beauty of the Cathedral’s acoustics could best be appreciated.

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