Catalogue
HAVPCD340 – Commotio – Night
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| Disk Title | Commotio – Night |
| Music for Choir and Cello | |
| Soloists | Rosie Banks (Cello) |
| Christopher Watson (Tenor) | |
| Choir | Commotio |
| Conductor | Matthew Berry |
| Location | Merton College Chapel, Oxford |
| Date Recorded | 30th June & 1st July 2007 |
Commotio is one of Oxford’s foremost chamber choirs, formed in August 1999 to provide a refreshing alternative to the more readily available repertoire offered by most other choral groups, primarily performing lesser-known material of the 20th and 21st centuries. Matthew Berry, the founder and conductor of the choir, enthusiastically promotes the work of a younger generation of composers, as well as bringing to the fore little-known works of more established writers. In December 2002 Commotio performed the world première of Pierre Villette’s Inviolata, and in June 2007 Night for Choir and Cello by Richard Allain. They have also performed UK premières of works by Jon Mostad, Peter Klatzow, and Frank Ferko. In June 2005, the choir recorded a CD of works by Peter Klatzow entitled Towards the Light (Herald HAVP316), receiving extremely positive reviews from Musical Opinion, International Record Review and Gramophone among many others. The choir has also contributed to a portfolio CD of works by the young British composer Thomas Hyde, to be released on Toccata Classics in 2008.
| Trk. | Duration | Track Title | Composer |
| 1 | 19:48 | Night World premiere recording |
Richard Allain |
| 2 | 03:16 | Motet for Passion Sunday | Frank Ferko |
| 3 | 08:30 | Miserere | Rudi Tas |
| 4 | 15:43 | Stabat Mater | Knut Nystedt |
| 5 | 07:42 | Ubi Caritas World premiere recording |
Richard Allain |
| 6 | 06:52 | Futility World premiere recording |
John Duggan |
| 7 | 00:52 | Variations on a Theme from Vaughan Williams’ ‘Job’ Index 1 – Theme |
Elizabeth Maconchy |
| 8 | 01:34 | Variations on a Theme from Vaughan Williams’ ‘Job’ Index 1 – Var I |
Elizabeth Maconchy |
| 9 | 00:49 | Variations on a Theme from Vaughan Williams’ ‘Job’ Index 1 – Var II |
Elizabeth Maconchy |
| 10 | 01:49 | Variations on a Theme from Vaughan Williams’ ‘Job’ Index 1 – Var III |
Elizabeth Maconchy |
| 12 | 01:45 | Variations on a Theme from Vaughan Williams’ ‘Job’ Index 1 – Var V |
Elizabeth Maconchy |
| 13 | 00:50 | Variations on a Theme from Vaughan Williams’ ‘Job’ Index 1 – Var VI |
Elizabeth Maconchy |
| 14 | 02:05 | Variations on a Theme from Vaughan Williams’ ‘Job’ Index 1 – Var VII |
Elizabeth Maconchy |
| 15 | 07:19 | Lord, let at last Thine angels come World premiere recording |
Frank Ferko |
Matthew Berry is the conductor and joint founder of the choir. He studied music at University College, Oxford, where he was Organ Scholar and then Assistant Organist. He has studied organ under David Sanger, David Goode and Ian Curror. After conducting The Oxford Chamber Choir for two years as a student, he founded Commotio in 1999. Having finished his degree, he studied postgraduate choral direction with Patrick Russill for two years at the Royal Academy of Music in London.
Originally from Scotland, Rosie Banks studied at the Royal College of Music with Alexander Boyarsky and continued at postgraduate level with Colin Carr at the Royal Academy of Music. The Virtuosi Society of Scotland and the Winifred Disney Bursary supported her studies. A versatile cellist, Rosie now combines orchestral work with solo and chamber music recitals. She has worked extensively with orchestras such as the London Philharmonic Orchestra, the Academy of St Martin in the Fields, the BBC Philharmonic, and the Britten Sinfonia. Rosie was a founding member of the pioneering young chamber orchestra Southbank Sinfonia, with whom she performed Haydn’s D major Concerto and gave performances of many major chamber music works.

