Herald AV Publications

HAVPCD358 – Benjamin Saunders

	Disk Title	Benjamin Saunders
		at the organ of Leeds Cathedral (First recording of the organ)
	Soloists	Benjamin Saunders
	Location	Leeds Cathedral
	Date Recorded	5th April 2010

Benjamin Saunders was born in Warrington and educated at George Heriot’s School in Edinburgh. He received his first organ lessons at the age of sixteen at St Mary’s Metropolitan Cathedral, Edinburgh and two years later won an Organ Scholarship to Downing College, Cambridge, where he studied with Peter Hurford. Upon graduating, he held organist posts at the Cathedrals of St Giles’ Edinburgh, Blackburn, and Chester. In 2002, Saunders was appointed Director of Music for the Diocese of Leeds, leading the department at Leeds Cathedral, which is now the centre of England’s largest choral outreach programme. During this time, he has been privileged to act as consultant and advisor to a number of the UK’s other musically pre-eminent cathedrals and schools.

As an organist, he aims to present a varied and accessible programme to delight audiences both young and old, be they new to organ music or lifelong devotees of the instrument. His solo repertoire includes classical, popular and jazz works, some familiar and others new or recently rediscovered. He has also transcribed many orchestral works for the organ and these arrangements often form a popular part of his concert programmes. Saunders has performed to HM the Queen, Princess Anne and US President Carter and worked with conductor Carl Davis and jazz virtuoso Dick Hyman. Solo tours have led him to give organ recitals in France, Italy, Holland, Germany, Austria, Slovenia, the United States and Russia. Further details of forthcoming concerts can be found on his website at http://www.directorofmusic.org.

The Grand Organ of Leeds Cathedral was completed early in 2010 and inaugurated on 16th May by Benjamin Saunders. Musically, the Cathedral is the centre of the largest choral outreach programme in the UK, involving some 1300 children in weekly singing tuition, and is one of only three English Catholic cathedrals to maintain daily sung services of Vespers and Mass. Its central situation and wonderful acoustic make the Cathedral a dramatic liturgical setting and an attractive concert venue within the city. The original organ was built specifically for the Cathedral in 1904 by Norman and Beard. Following a period of silence of around 30 years, Johannes Klais Orgelbau was chosen to reconstruct and enlarge the instrument to serve the requirements of the restored Cathedral and the new position of the choir at the East End. Rather than follow the well trodden path of producing yet another eclectic organ, supposedly capable of playing any repertoire, it was decided to pursue the artistic ideal of an instrument of great character in harmony with the spirit of an Edwardian Arts and Crafts building, and within the embrace of the richness of the Catholic liturgical tradition. The organ’s design and development were under the supervision of Benjamin Saunders and consultant David Sanger.

In order to preserve the English Edwardian style of the Norman and Beard instrument, the historic 1904 pipework has been carefully restored on its original chests. The organ now has seven divisions, controlled from a four manual console with 78 stops, which features a unique new system of allocating manual departments to keyboards. Predominant architectural features of the Cathedral, such as the ubiquitous trapezium motif and the tooth edging design, are reflected in the console. The number of different materials used has intentionally been limited as far as possible, such that the metal surrounds of the Swell pedals are of the same material as the toe pistons and the Swell pedals of the same material as the stop jambs. The keys are of bone and ebony and the inlay of the console oak is ebony and Swiss pear.