Herald AV Publications

HAVPCD359 – The Gentle Art of Percy Whitlock

	Disk Title	The Gentle Art of Percy Whitlock
		Roderick Elms playing the organs of Rugby School Chapel and Brentwood Cathedral
	Soloists	Roderick Elms (Organ)
	Location	Rugby School Chapel & Brentwood Cathedral
	Date Recorded	23rd, 24th July 1985 & 23rd November 2009
	Audio Tracks	17

Percy William Whitlock was one of the outstanding English organist-composers of his time. Born in Chatham on 1st June 1903, he spent his first twenty-seven years in the Medway towns, in particular at Rochester, where he was associated with the Cathedral from 1911-1930, initially as a probationer chorister (under Bertram Luard-Selby) and later as assistant organist to Charles Hylton Stewart. He also held church organist and choirmaster posts at St Mary’s, Chatham and St Matthew’s, Borstal.
In 1920 he took up a Kent County Scholarship to the Royal College of Music in London where he studied composition with Charles Stanford and Ralph Vaughan Williams, and organ with Henry Ley.

His fame as a performer and composer spread quickly when in 1930 he moved to Bournemouth, first as Director of Music at St Stephen’s Church (1930-35) and then, from 1932, as Municipal Organist for the Borough. He was also an active broadcaster and musical journalist. He died on 1st May 1946 aged forty-two. Whitlock’s oeuvre was large and varied, including orchestral works (notably the Symphony in G minor for organ and orchestra of 1937) composed mostly for the Bournemouth Municipal Orchestra – choral and church music, hymn-tunes, solo songs and several chamber works, including a magnificent Piano Quintet (also in G minor!). His reputation, however, remains firmly based on his beautifully-crafted organ music.

Roderick Elms studied at the Royal Academy of Music in London. He appears in concerts, recordings and broadcasts with most of Britain’s major orchestras, both as a principal keyboard player and as a soloist. He has broadcast regularly for the BBC for more than thirty years on Radio 3 as well as Radio 2’s Friday Night is Music Night and has made many solo recordings with the Royal Philharmonic, London Philharmonic, London Symphony and BBC Concert Orchestras. He also works as a chamber player and for several years he was London pianist to the eminent cellist Mstislav Rostropovich. Foreign tours have taken him around most of Europe as well as to the United States, Canada, South Africa, Israel, Russia and the Far East.

He has an extensive discography for EMI and Chandos which includes solo contributions as well as all the major oratorios of Elgar and also the award-winning recording of Britten’s War Requiem with the LSO and Richard Hickox. His solo piano recordings include, with the RPO, Hubert Bath’s Cornish Rhapsody, the Spellbound and Warsaw Concertos, and da Falla’s Nights in the Gardens of Spain. Other recordings include music of Frank Martin with the LPO and of Charles Williams and Mischa Spoliansky with the BBCCO.

Roderick Elms has contributed to many film soundtracks including Aliens, Dangerous Liaisons and the epic The Lord of the Rings trilogy. In recent years his Christmas arrangements and compositions have become very popular both in the UK and North America, and an album of his festive music – Festive Frolic – was released by Naxos in 2007 featuring the RPO and the Joyful Company of Singers conducted by Stephen Bell. A recording of his instrumental music – A Little Fall-ish! – is available on the Dutton-Epoch label, which includes his Concertino for Celeste, Pæan for organ & strings and Cygncopations for cor anglais & chamber orchestra.

He is married to the pianist Joanna Smith, for whom he wrote Paper Dances – a concert piece for piano duet and orchestra which was recorded and broadcast by the BBC in September 2008. They have a young son, Matthew.
www.masterkeyboards.co.uk

The organ in Rugby School Chapel (at the time of the recording in 1985) was built by Thomas Elliot in 1823 with subsequent work on the instrument undertaken by William Hill (1855) and Bryceson (1872). It sat in a chamber to the North of the Chancel and originally had an attached console, in a small gallery overlooking the Nave. Major work was undertaken by Hill, Norman & Beard in 1910 which included tonal alteration and a new pneumatic action.

In 1960 a new drawstop console was installed by J. W. Walker & Co in a new position just into the South side of the Nave, facing West. A new electro-pneumatic action was also supplied together with a small unenclosed division playable from the Choir manual. The organ was used regularly for Chapel music, teaching and recitals. However this appears to have been its first commercial recording – rather surprisingly since, not withstanding a small amount of wind noise, it was a magnificent instrument ideally suited to the present style of music.

The instrument eventually fell into a state of disrepair and in the mid-nineties it was decided to replace it with a new instrument built by the firm of Kenneth Jones & Associates which incorporated some of the previous pipework.