HAVPCD350 – Carols from Chichester Cathedral

“Gramophone Critics Christmas Choice 2009” to be announced in the December issue.

“BBC Music Magazine Christmas Choice 2009” announced in the December issue.

Christmas is a special time for Chichester Cathedral Choir. In addition to a run of concerts at the Festival Theatre and services for radio and local organizations, the Choir sings the traditional services on Christmas Eve and Day, and three Cathedral services of lessons and carols.

The selection of music for Carols from Chichester Cathedral is intended to capture the spirit of these services, which are popular with the young and old alike. Some of the usual congregational carols, with the familiar David Willcocks descants, sit alongside other Christmas favourites such as In the bleak mid-winter and Tomorrow shall be my dancing day. Mark Wardell’s Rocking was specially written for the Choristers for this CD, and like David Hill’s Away in a manger demonstrates the power of a good tune in the hands of a skilful arranger.

“The English Cathedral tradition at its very finest”
– Five Stars for Recording & Performance.
- BBC Music Magazine, December 2009

The Lay Vicars sing one to a part in Brian Kay’s version of Gaudete, and at the other end of the spectrum is the atmospheric full choir work Lux aurumque by the contemporary American composer, Eric Whitacre. The Sussex Carol is particularly appropriate for Chichester Cathedral Choir: the melody is reputed to have been collected by Ralph Vaughan Williams and Cecil Sharp in the West Sussex village of Monk’s Gate. The Cathedral Choir is accompanied on the Hill organ by Mark Wardell, who also plays three contrasting settings for solo organ of In dulci jubilo and J.S. Bach’s Chorale Prelude Vom Himmel hoch, da komm ich her – ‘From heaven above, to earth I come’.

HAVPCD349 – Salve Puerule
Release Date: 10th December 2008

Mail Order Only – from Record Corner or info@codadistribution.co.uk

A Wonderful new Christmas release featuring Andrew Swait, The Trinity College of Music Chamber Choir, Alexander Ffinch and conducted by Stephen Jackson.

Conceived as a showcase for the abilities of the accomplished treble Andrew Swait, this disc is framed by settings of the first great canticle from the service of Evensong. The Magnificat (1) from the evening service in G by Charles Villiers Stanford (1852..1924) was written in 1902 and needs little introduction. Its Marian imagery is heightened by an extended ethereal solo, lightly punctuated by the choir, together with the employment of a staccato accompaniment cast as a perpetuum mobile of quavers, whose Schubertian figuration immediately evokes the image of a spinning wheel and the industrious, untroubled girl singing to her Lord.