HAVPCD351 – COEPERUNT LOQUI Cheltenham College Chamber Choir
One of the finest and most prolific composers of the period, Orlando di Lassus, was born at Mons, Hainaut in 1532. Following a series of prestigious posts in Italy and Antwerp, in 1556 he entered the service of Duke Albrecht V of Bavaria in Munich.
The initial appointment was as a tenor in the chapel choir but he was soon promoted to maestro di capella, a post he retained for over thirty years until his death, being succeeded in turn by his two sons. Here he produced an enormous quantity of church music, including many motets, four passions and some sixty mass settings. Many of these are ‘parody’ masses, based on secular material such as chansons or madrigals or on motets written by himself or others, frequently including florid and intricate counterpoint handled with great skill. In contrast, the masses founded on plainsong are more typically concise, syllabic and straightforward and although not characteristic of the composer at his most sublime, they possess a coolly austere beauty….
By any other yardsticks these are very impressive performances, evoking the spirit and idiom of the music superbly, and much helped by Herald’s atmospheric recording from the lovely chapel at Cheltenham College. Ffinch shapes the music and controls the singers with unerring sensitivity, producing some matchless cadences (I particularly admire the closing of Tallis’s O sacrum convivium), while the singers themselves are capable of producing a sound of great depth and substance (as with the magnificent full-toned choral passages in Sheppard’s Reges Tharsis et insulae).
- Marc Rochester. International Record Review, March 2010.
Alexander Ffinch, the College Organist, founded the Cheltenham College Chamber Choir in 2007. Established with the clear purpose of performing demanding unaccompanied music, the Chamber Choir has rapidly gained a reputation as an excellent choir, with a distinctive repertoire. Having performed at Winchester Cathedral, and various Oxbridge Colleges, this CD, the Choir’s first release, comes on the back of a very successful tour to New York. Since its foundation, the choir has rehearsed and sung a variety of choral pieces, ranging from the 16th Century up to the modern works of John Tavener and Arvo Pärt. Whilst enjoying the range of pieces, the choir has felt an especial affinity with the music of the Renaissance. This is dynamic and powerful, reflecting the enormous creative energy across Europe that was present at the time.
Alexander Ffinch studied at the Royal College of Music and was later organ scholar of Keble College, Oxford where he subsequently became a pupil of Thomas Trotter. He was resident organist at Lancaster Town Hall where he gave over 100 recitals in the 1990’s also winning recognition in the St Albans Interpretation Competition in 1999. He performed regularly in the UK, Europe and the USA and is a wellknown international recitalist. Notable recent appearances have been in USA at Christ Church Greenville and St Mark’s Berkeley, CA and also in the Far East where he gave a recital to celebrate the Messiaen Centenary at The Academy for Performing Arts in Hong Kong. In 2009 he was organist on the newly released disc, ‘Salve Puerule’ (HAVPCD349) a collection of Christmas choral music. Recent recital engagements have included: The Cathedral of St John The Divine, New York; Westminster Abbey; and in 2010, Hong Kong Cultural Centre. He was appointed College Organist of Cheltenham College in 2004, after a three-year tenure as Director of Music at St Catharine’s College, Cambridge and established the College Chamber Choir in 2007.
This is a very creditable achievement indeed, and one which can hold its own against all but the most powerful competition.
- Marc Rochester. International Record Review, March 2010.
