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Click here to Download the full sleeve notes (as a Adobe Acrobat/PDF file) click here Max Reger, the Reluctant Revolutionary: Max Reger was a paradoxical combination of radical and reactionary.
For the form of many of his larger pieces he took Bach’s music as a starting point; in his contrapuntal style that of the conservative Brahms. Yet in terms of harmony he stood, often to his own surprise, in the vanguard of progress as it developed after Wagner.
In his lifetime it was for this last aspect that his works were controversial.David Goode is among the UK?s leading organists. He was organ scholar at King’s College, Cambridge, graduating with top honours.
From 1996-2001 he was Sub-Organist at Christ Church, Oxford and as such toured in Europe, the United States, Brazil and Japan. In 2001 he resigned this post in order to pursue a freelance concert career; he now continues this, while occupying the position of Organist-in-Residence at the First Congregational Church in Los Angeles, home to the largest church organ in the world.
Track | Duration | Title |
---|---|---|
1 | 15:56 | Fantasia üaut;ber den Choral ‘Ein feste Burg’ Op 27 |
2 | 03:44 | Choralvorspiele ohne Opus (1894) – 1. O Traurigkeit, O Herzeleid |
3 | 03:49 | Choralvorspiele ohne Opus (1894) – 2. Komm, süaut;sser Tod |
4 | 01:26 | Choralvorspiele ‘Freu dich sehr, o meine Seele’ Op 135a No 9 |
5 | 20:40 | Fantasia üaut;ber den Choral ‘Freu dich sehr, o meine Seele’ Op 3 |
6 | 01:40 | Choralvorspiele ‘Wie schöaut; leuchtet uns der Morgenstern’ ohne Opus |
7 | 18:35 | Fantasia üaut;ber den Choral ‘Wie schöaut; leucht’ uns der Morgenstern’ Op 40 No 1 |
8 | 02:04 | Choralvorspiele ‘Straf mich nicht in deinem Zorn’ Op 67 No 39 |
9 | 15:45 | Fantasia üaut;ber den Choral ‘Straf mich nicht in deinem Zorn’ Op 40 No 2 |
10 | 02:06 | Choralvorspiele ohne Opus – 1. O Haupt voll Blut und Wunden |
11 | 01:36 | Choralvorspiele ohne Opus – 2. Christ ist erstanden von dem Tod |
12 | 01:15 | Choralvorspiele ohne Opus – 3. Es kommt ein Schiff, geladen |
13 | 15:59 | Drei Choralfantasien Op 52 – 1. Alle Menschen müaut;ssen sterben |
14 | 20:40 | Drei Choralfantasien Op 52 – 2. Wachet auf, ruft uns die Stimme |
15 | 17:05 | Drei Choralfantasien Op 52 – 3. Halleluja! Gott zu loben bleibe meine Seelenfreud |
16 | 13:35 | Sieben Stüaut;cke Op 145 – 1. Trauerode |
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